So I posted a little screen shot of this a while back… Let this demonstrate the learning curve I went through the past 6 months in terms of digital art with this image. This is before I took any classes and I was generally really frustrated with digital painting because I had no clue how to approach it.
When I made this, I shaded it in gray and separated absolutely everything. I planned on applying an overlaying colour, but I soon discovered how difficult it is to get that to mix right. I thought it would be a quick solution… but the values are very light, and the shirt there has some patterning….ended up being a bad idea. I should’ve just straight up tried to colour this instead of being scared, because trying to overlay colours after proved to be as much guesswork as I would’ve done if I had just coloured it. Back then, I had no idea how to read the colour picker and make a smart choice on colour.
Anyway….the colour I did on this originally was so hideous I deleted it, and just threw on this stylized gradient map to apply colour. It looks pretty funky…the “idea” is that the desert is so scorching hot, it has bleached out all visible colour. Whatever…
I wouldn’t put this in my portfolio for a large array of reasons.
1. It’s not my style. How do I know that? It’s a complete fluke and looks awkward. When I throw it into my artwork folder, it stands out because it’s weird, not because it’s unique or a step up from what I’ve been doing.
2. This colouring is a sad excuse for colouring. I mean, some of the values are gross…you don’t exactly have a lot of control with a gradient map unless you want to drive yourself totally insane.
3. The scale is wonky – it looks like a tiny comic strip because of the font and proportions of the picture elements, but the details are very small. If this was printed on a page as a spot, it would look off because the details would become hard to read. In comparison to some of my recent comic work (the SFX collab I am doing), this looks very poorly thought out, even though I was more fighting with my inexperience with digital art.
My biggest hurdle with digital art has been dealing with the layering and the whole…mathematical side to it. Gradients are math, all the layer blending modes are math, colour picking is a math. The process is very inorganic. There’s just something about doing it with your hands and watching the pigment of whatever medium you’re using react, and learning what it’s doing… it’s probably the same for making music on a real instrument versus a digital instrument. Something real gives you the whole process from A to Z, digital is like straight from A to Z without anything in between. You apply a blending mode and BAM! there it is – no way to observe how it happened.
Anyway, this was to let off some steam on job searching.